University of Iowa

Contact: Ruthann McTyre

Notes/Comments: [none]
1. Does your instution maintain holdings of concert programs? Yes.
2. Apart from concert programs, does your institution have significant holdings of other types of documents that can be useful for performance research such as libretti, playbills, historical journals with concert reviews, etc.? The standard historic journals found in any large academic music library; a complete run of playbills for Hancher Auditorium (U of Iowa's "arts presenter") from its opening in 1972; run of programs from the Center for New Music.
3. Please list major concert venues, ensembles or performing organizations, and artists that are represented in your holdings. If possible, indicate a general timeframe for each (e.g. New York Philharmonic: 1920-1950). If your holdings are so extensive it is impractical to submit a list in a timely fashion, please provide a general overview (e.g. Programs of various musical events in Stockholm: 19th and 20th centuries).

Venues: Hancher Auditorium, Clapp Recital Hall, Harper Hall

Performing Ensembles:

Orchestral Ensembles--Symphony Orchestra, Chamber Orchestra, Philharmonia, All-University String Orchestra.
Chamber Ensembles--Center for New Music, Collegium Musicum, Double Reed Ensemble, Percussion Ensemble, Saxophone Ensemble, Steel Bands.
Bands--Symphony Band, Concert Band, University Band, Hawkeye Marching Band, Iowa Pep Band.
Jazz Ensembles--Johnson County Landmark, Jazz Ensemble, Improvisor's Orchestra, Jazz Lab Band, Iowa Jazztet, Jazz Repertory Ensemble, 6 small jazz combos.
Choral Ensembles--Camerata, Collegium Musicum, Kantorei, Old Gold Singers, University Choir.
Faculty Ensembles--Iowa Brass Quintet, Iowa Wind Quintet, Maia Quartet.

4. Do you have collection level or title/series level descriptions of your holdings? If yes, are these descriptions available online or in print? No.
5. Have you undertaken or are you planning any item level indexing or cataloging of individual programs? If yes, please list the categories of information that are indexed for each program (e.g. date, venue, artists, works, etc.). If the details of your plan are not yet specified, please made a simple explanation of what you hope to accomplish. If your index is available online please provide the URL. If it exists in some other electronic format such as an Excel or FileMaker file please try to send it as an attachment. No.
6. Please briefly describe the clientele or research use of your holdings. Are the programs accessible to the public? Are they used for historical research or more for practical in-house institutional functions? The programs are accessible to the public. Right now, they are more for practical in-house institutional functions.
7. Are you able and willing to assist in developing a broader census of program holdings within your national branch? Not at this time.
8. Are you able and willing to assist in developing a template or questionnaire for submitting collection level descriptions? No.
9. Are you able and willing to participate in preparing the draft thesauri for genre and instrumentation? No.
10. Can you refer other potential participants for the IAML project? Please provide names and email addresses if possible. [did not answer]

Compiled by Rebecca Arnott (, John Spilker (, and Annie Erickson (